Canova’s “Perseus with Head of Medusa” Essay

This piece, make to replicate the Hellenic classical style, stands noble above entrance to the Metropolitan Museum of Art. This sculpture, created by Antonio Canova in marble, was done in the proto(prenominal) 19th century. Historically, the tale of Perseus and how he killed the beast-woman, Medusa, is from eons before, however, the artificer chose to recreate this scene from Greek mythology. In addition, Canova uses many techniques that were used by Greek sculptors, he use of detailed anatomy, a combination of stoicism and portrayals of anguish, stiff posture, contrapposto and the draping of the framework around Perseus arms.Perseus stands rigidly, looking at the luff of Medusa. His expression is unchanged. One leg caisson disease toward her head, but it does so in a rigid, uncomfortable manner. He holds his sword away on his right, and her head on his remaining. material is draped unnaturally off his left arm and it falls to the floor bottom of the inning him. He has the ideal dead body, with perfectly work and toned muscles. Perseus is naked, save a correspond of genuinely decorative and ornate sandals. His body is in a curve, with his spine. He bets to be a warrior, and he is triumphant in his defeat of Medusa. A geting of congratulate overwhelms one when they look at him, however, it is expectant to relate to him, because he does not feel significant. He is humanized, but does not appear natural or normal.Medusa, or quite her head, is held by its hair in Perseus left hand. He holds it out from him, in disgust. Her event is writhing in pain, as she has been decapitated. Her snake-hair is very representational, and doesnt look like real snakes. Still, however, her face does not illustrate the true up anguish or pain that she mustiness have felt. It is not naturalistic. She actually appears to be somewhat idealized.This piece evokes feelings of strength, power and pride, however, I do not feel it evokes emotion or sympathy towards eith er character. neither feels very real or natural, and thus it is difficult to relate to the sculpture.